Course Work On Point Of View And Symbolism In The Short Story

Course Work On Point Of View And Symbolism In The Short Story 1. Examining Point of View In the O. Henry short story The Gift of the Magi, the plot is told from a third individual point of view â€" there is an outside storyteller who is none of the characters inside the story, just relating what Della and Jim are experiencing. This perspective stays predictable all through the short story, not moving anytime â€" this shows total objectivity regarding the matter of Della and Jim, giving an outside viewpoint that is without inclination on either side. This permits the peruser to find things alongside the storyteller, as Della or Jim would sell out their points of view (what is in their present) before the best possible emotional time. The perspective being outside of them loans the substance more noteworthy anticipation, as we wonder what will befall the couple. The storyteller says about crying that Della did it… Which prompts the ethical reflection that life is comprised of wails, sneezes and grins, with wheezes prevailing (Ch. 5, p. 6). This permits the outside occasi ons of an other to be set into point of view. 2. Imagery The slopes in the Ernest Hemingway short story Slopes Like White Elephants are an ideal case of an image â€" they mean a great deal of things to many individuals, and they tie in impeccably with the subject of the story. The slopes speak to the subject of magnificence and peacefulness, just as break and salvation. The young lady was looking off at the line of slopes. They were white in the sun and the nation was earthy colored and dry, says Hemingway of a lady the man in the story is appreciating (Ch. 7, p. 5). She likens slopes to white elephants, which is odd, taking into account that slopes in this story are normally intended to be exhibiting magnificence, a quality which white elephants emotionally need. Getting away and isolating are intended to be very much the same, spoke to by mountains and streams that are examined as this young lady and this man split up after this discussion in a Central American bar. The image of the slopes, mountains and streams guarantee untold skylines and change, of which these two characters must discover once they go separate ways. References Hemingway, Ernest. (1927). Excursion into Literature, ed. R. Wayne Clugston. Bridgepoint Education, Inc. 2010. O. Henry. (1906). The Gift of the Magi. Journey into Literature, ed. R. Wayne Clugston. Bridgepoint Education, Inc. 2010.